CARACCIOLO, Giovanni Battista

Italian Baroque Era Painter, ca.1578-1635 Italian painter. He was one of the greatest Caravaggesque painters and the founder of Neapolitan Caravaggism. His Liberation of St Peter (c. 1615; Naples, Pio Monte della Misericordia; ) and Christ Washing the Feet of the Disciples (1622; Naples, Certosa di S Martino; see fig. 2 below) are masterpieces of 17th-century Neapolitan art, and attain a powerful and tragic grandeur.


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CARACCIOLO, Giovanni Battista Liberation of St Peter f oil


Liberation of St Peter f
Painting ID::  5710
Liberation of St Peter f
1615 Oil on canvas Museo Nazionale di Capodimonte, Naples
1615 Oil_on_canvas Museo_Nazionale_di_Capodimonte,_Naples
   
   
     

CARACCIOLO, Giovanni Battista St Onophrius fg oil


St Onophrius fg
Painting ID::  5711
St Onophrius fg
c. 1625 Oil on canvas, 180 x 116 cm Galleria Nazionale d'Arte Antica, Rome
   
   
     

CARACCIOLO, Giovanni Battista Salome g oil


Salome g
Painting ID::  5712
Salome g
1615-20, Oil on canvas Galleria degli Uffizi, Florence
1615-20, Oil_on_canvas Galleria_degli_Uffizi,_Florence
   
   
     

CARACCIOLO, Giovanni Battista The Virgin and Child between John the Baptist and Mary Magdalen (mk05) oil


The Virgin and Child between John the Baptist and Mary Magdalen (mk05)
Painting ID::  20085
The Virgin and Child between John the Baptist and Mary Magdalen (mk05)
Wood,66 1/4 x 43 1/4''(168 x 110 cm)Entered the Louvre in 1812
   
   
     

CARACCIOLO, Giovanni Battista Salome with the Head of John the Baptist oil


Salome with the Head of John the Baptist
Painting ID::  28957
Salome with the Head of John the Baptist
mk65 Oil on canvas 52x61 7/16 Uffizi
mk65 Oil_on_canvas 52x61_7/16 Uffizi
   
   
     

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     CARACCIOLO, Giovanni Battista
     Italian Baroque Era Painter, ca.1578-1635 Italian painter. He was one of the greatest Caravaggesque painters and the founder of Neapolitan Caravaggism. His Liberation of St Peter (c. 1615; Naples, Pio Monte della Misericordia; ) and Christ Washing the Feet of the Disciples (1622; Naples, Certosa di S Martino; see fig. 2 below) are masterpieces of 17th-century Neapolitan art, and attain a powerful and tragic grandeur.

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